A recepção transcriativa do texto artístico em um apólogo de Machado de Assis nas composições: Construção, de Chico Buarque e Cidadão, de Lúcio Barbosa

Abstract

The purpose of this monographic essay is to present the way in which transcreative reception manifests itself in the creative relationships of meaning between works of different constructive modalities as a process of transcreation through which artists become, consciously or unconsciously, creative receivers and rereaders of similar themes, although , deal with different artistic approaches. The theory in question is that works of art operate an aesthetic mediation between the human and the world, through which the world becomes felt, understood and expressed in different ways, but with the same human voice of meaning. In this perspective, an artistic text is affected by another that affects another and others. One voice becomes the goal of another, of others and expands unlimitedly, in a transcreative process. The theoretical-methodological arrangement that supports this monograph also derives from Haroldo de Campos' notions of transcreation, in his book Metalinguagem e Outras Metas. The research corpus: the short story “Um Apólogo”, by Machado de Assis and the compositions “Cidadão”, by Lucio Barbosa, and “Construção”, by Chico Buarque. Both texts deal, in different ways, with criticisms and their own versions, of the social devaluation of workers