Cecília Meireles e Yêda Schmaltz: influência e desleitura

Abstract

The following paper aims to analyze the dialogue between the poetic universes of the poetry of Cecília Meireles and Yêda Schmaltz, given the need to study the influence of one author on another. It will be seen that Yêda Schmaltz, nurturing from Cecília's poetic roots, goes, however, to the original, thus approaching themes that will be constructed and deconstructed throughout her career, such as the female bias, her mythological part, the woman's self-assertion around poetry and eroticism. That said, it will be possible to understand Schmaltz's original, which, despite being nurtured by Meireles' works, ends up breaking away from the ideals of the classic poet. In order to understand the matter more objectively, the poems Retrato, by Cecília Meireles, published in 1939, and Espelho, by Yêda Schmaltz, published in 1971, were selected to analyze the vocabulary selections and the use of stylistics by both poets. among other poems present in the corpus of this work. Supporting the analyzes presented here, there are references arising from postulates of scholars on the subject such as Paulo Antonio Vieira, an influencer of this research, Nelly Coelho, Harold Bloom, TS Eliot, Susan Gubar, Sandra Gilbert among other theorists in the poetic field.